Earth was hit by a comet and the world went dark. In the darkness, vampires rose. This story is about a group of human survivors, battling to stay alive.
“A story of apocalypse, horror, and adventure, Impact Winter is a wholly original new saga created just for Audible with immersive 3D audio (featuring a brilliant British cast) that dares you to pop in your earbuds and listen in the dark. Venture into an eternally sunless world of swords and crossbows; primal hunters and shape-shifters; leaders and lovers. Hear how a brave few fight to survive the impact winter.“
Entertaining, a little creepy and too short to really explore this world to its fullest. Nothing Earth-shattering, but I liked the characters and the story in general. Good, if you are looking for a shorter audio, that isn‘t too taxing. The cast did a good job.
Odd book. The beginning feels like Covid-19 reimagined, bacterial instead of viral. Or rather it’s prophetic, as it was written in 2018. Apocalyptic/dystopian on the surface, it reads more like literary fiction. Commentary on capitalism, consumerism, the life of millennials, hopes and aspirations and the reality of making ends meet, the occasional boredom and banality of everyday life and work.
A long look back at the depressing/monotonous life of the MC. Average millenial with average job, living an average-sounding life of the relatively well-off. Illness strikes, an outbreak at first and then a pandemic. People seem to wind up as harmless zombies, wandering about and repeating tasks of their living past. Society as we know it ends. Our MC eventually leaves New York and joins up with a group of other survivors.
The backstories of the MC and her parents, Chinese immigrants to the US, take centre stage for most of the book. Which made me question if the apocalyptic setting was just a gimmick, to draw more readers. There is an odd amount of narrative about the MCs book production job. This had me wondering even more, what the whole point of this book was supposed to be. The dystopian elements only play a small part.
One of my GR friends described this as a „a slightly disguised New Adult Contemporary coming of age“. It’s a bit deeper than that, but nails it pretty well.
The audiobook narrator sounded pretty bored and laconic for most of the book. Or depressed? Pretty similar to how the MC felt about her life before the apocalypse.
The last few chapters made up for the indifference I mostly felt towards this story. The ending is pretty open, which I usually hate, but it gave a nice sense of purpose and possibility here.
Another one in the endless comic series of The Walking Dead. Getting ready for that ultimate confrontation with Negan.
At the Hilltop. Maggie is dealing with something not to be mentioned to avoid spoilers… Rick is rallying the troupes against Negan, with varied results. People are tired and want to live in peace. Jesus helps. Aaand… that‘s not going so well. Almost.
In the meantime the classic supply run is happening… ?
There is more of the Kingdom as well. Oh oh, measuring the length of… whatever. Michonne wins…
This one probably reached new heights of profanity. So many shit and fuck and variations thereof on one page, page after page. Must be a new record.
Rick has to really become the leader they all need….
Because Negan is going to war…
“This volume collects THE WALKING DEAD #109-114, the prelude to ALL OUT WAR—the epic battle that will change the world of THE WALKING DEAD for years to come.“
It’s always idyllic in the village until the landlord comes to call. Because the landlord is an Ogre. And Ogres rule the world, with their size and strength and appetites. It’s always been that way. It’s the natural order of the world. And they only eat people sometimes.
From the book blurb
The POV of this novella is very smartly done. We experience everything from the eyes of a main character that has a very narrow field of vision and knowledge of the world he lives in. So we also know very little at first of this seemingly pastoral and feudal world of humans in a society governed by ogres. We take every step of discovery with him. And it’s quite a stunning list of discoveries for him. Very little of what he believes to be true turns out to be real.
I missed emotional expressions. The inner landscape of our main character was laid out in a pretty sterile fashion. I made no real connection to him and found it hard to like or emphasize with him, even during the truly horrible events of his life. Nothing seemed to have a real impact on him. However, the story as such was a very smart one.
The final head twister is a real bummer. Nicely done, Mr. Tchaikovsky!
PS: 2nd person narrative, ugh. I am not a fan of that. But I got over it.
I received an advanced copy of this book from the publisher or author through NetGalley. All opinions are my own and I was not required to give a positive review.
A dystopian world. Climate change, melting ice caps, floods, torrential rains, no electrical power left, no running water, polluted rivers and lakes, collapse of society, the whole nine yards. And that is just what happens before the beginning of the book. Most people have lost the ability to dream.
“The only people still able to dream are North America’s Indigenous people, and it is their marrow that holds the cure for the rest of the world.“
French has lost his family, but finds a new one. They flee the cities and treck north through the woods, hoping to find a safe place.
That‘s pretty much it for the first half of the book. Running, hunting, minimal plot. Plus a little backstory in the shape a few origin stories of some of the members of the group. More backstory would have been nice. Slow build-up and glacial pace after the initial intro to the story and world.
This had—at least in parts—the feel of magical realism, without the magic, if that makes sense. The grimness of the schools and the marrow thieves was mostly in the off, hinted at and not really explored. This was more about the relationships of those that survived and their decisions how to live and where to go from there. If the characters and their budding relationship are the point of the story though, more character development would have been nice.
So, whilst the idea of this story was a good one, it wasn‘t really my cup of tea.
Content warning: several fairly foggy mentions of rape, one not so foggy one. Murder, genocide, medical experimentation and more.
Ruslan is the sole survivor of the human race. Aliens finally make contact, when it‘s seemingly too late for humanity. They save Ruslan and want to recreate what was lost. He strikes a deal with them—find the origin planet of his race, Earth, and he will assist them in their venture.
Very typically Alan Dean Foster, creating imaginative, non-humanoid aliens and having a human main character who finds himself in unusual circumstances on some strange planet.
Reading a third of the novel, I hadn‘t encountered anything new or different. Besides that the characters were pretty wooden and everything had a very old-fashioned feel. This could have been one of Foster‘s novels of the 80s, setting as well as tone. Nothing terribly exciting had happened up to that point. I skimmed through most of the middle of this novel and dove in again towards the end. It was mildly interesting, but I am glad I didn‘t invest more time to read this properly.
Humans driving themselves to extinction, Ruslan as the sole survivor, the idea of an alien race wanting to resurrect humans and to recreate human society—this reminded me of Dawn. Not a huge success with me either. But actually from the 80s and a lot more thought provoking than this novel from 2018.
Androids, a claustrophobic spaceship, a mysterious ice planet and a conspiracy with a dash of horror.
Misanthropic psychologist Dr. Grace Park is on a exploratory mission to an ice-planet called Eos, taking care of the small crew. She is strangely clueless and lacking in social skills for a psychologist and seems to get along better with the androids onboard, who are serving the ship and the crew as cleaners, cooks, nurses and in other supporting functions. Fairly soon it becomes obvious that Park is being kept in the dark about the real purpose of the mission, when strange events start to manifest and affect everybody on board and the ship itself.
I had flashes of the movies Event Horizon, Prometheus and The Matrix. I won‘t write more about the plot, it would spoil too much. Suffice to say, I really struggled with the first two chapters and nearly DNFd, but then started to like the story quite a bit, when it started to go off the beaten track. Multiple POVs and timelines mixed it all up and kept it lively. However, I never really warmed up to the character of Park and found her character development at bit incongruous. Interesting theories about space, physics and androids. Nothing massively ground-breaking or new and no idea if the science is sound (probably not), but it worked for me.
Not bad. I wouldn‘t mind coming back to this world and its protagonists.
A poem about a yokai, a Japanese spectre/demon and her revenge. I like it. Great visuals, I can see here hovering under those rafters…
You Perfect, Broken Thing BY C.L. Clark | 3930 WORDS
“When I leave the kill floor, my legs are wasted. I shuffle to the women’s locker room. I can’t stand anymore, but I know if I sit, I’ll never get back up. At least, not for another hour.“
Welcome to #6degrees. On the first Saturday of every month, a book is chosen as a starting point and linked to six other books to form a chain. Readers and bloggers are invited to join in by creating their own ‘chain’ leading from the selected book. I mostly use this meme to work on my backlog, aka reviews that I haven‘t yet posted to my blog here.
How the meme works and how you can join is explained here. The initial blog post about this month‘s choice is here. October begins with Shirley Jackson’s short story, The Lottery. If you haven‘t read this, please do—it‘s very short and only takes about 20 minutes.
Probably a shocking read in 1948, when it came out. In the days of The Hunger Games barely worth a twitch, I guess. Which itself is probably considered a modern classic by now, starting a whole subgenre of likeminded YA books. I wonder, if Ursula LeGuin was inspired by Lottery, when she wrote The Ones Who Walk Away from Omelas a few years later? That one had much more of an impact on me.
Anyway, we get a short story that seems to describe a regular, ordinary sounding event in a small town. People are nonchalant about it and want to get on with it, to get that interruption of their normal day out of the way. Suspicion sneaks up on you slowly, that not all is as it seems to be, all the way to the horrific ending.
Well written, good world building, the prose flows along nicely. Well-paced suspense. Love the idea of the mockinjays. All the charactes come to life swiftly and are believable. I saw it all vividly in my mind’s eye. Katniss has the odd moment of stupid. But the action is great, excellent plot and suspense. Katniss Everdeen, where have you been all my life? I read half of the book in one sitting. Bonus points for a YA book, that doesn’t read as if the author thinks that teens are stupid. Obviously, if you read this, you need to read the rest of the trilogy.
I picked this up, because I wanted to get to know Le Guin a little better. It looked like a good starting point, having won so many awards. I don‘t want to get into the plot, this needs to be read spoiler-free. If you liked The Lottery and are interested in speculative fiction, read this!
What are you willing to give up to do the right thing? Would you walk away? And would that be good enough? Obviously not, but it‘s not as easy as that. You‘ve dealt with your guilt by walking away, but that doesn‘t really help, does it? How do we deal with our privilege, what would be an acceptable response?
“A little paper tiger stood on the table, the size of two fists placed together. The skin of the tiger was the pattern on the wrapping paper, white background with red candy canes and green Christmas trees.“
Story of Your Life is the basis for the movie Arrival.
“Your father is about to ask me the question. This is the most important moment in our lives, and I want to pay attention, note every detail.“
I have seen the movie several times and like it a lot. The most interesting for me were the differences from the story to the film. Would I have liked the story more or less, if I hadn‘t seen the movie? Did I like it more, because I like the movie? Despite the differences? Probably. Would I have understood the story as well without knowing the movie? Maybe. Did the story add layers to the movie? Possibly. Either way, it was painful and a great piece of story telling.
Another book looking at family, children and a setting that fits the theme of all these stories, is:
The world is a dystopian one, where people can be genetically enhanced and those that choose not to enhance their offspring have started to be relegated to the fringes of society and the children are disadvantaged.
I read this about 30 years ago, give or take. I struggled with understanding it and remember that I found it hard to get into it. But I liked the concept of the story and ultimately liked the book quite a bit. I think it should be recommended reading for anybody interested in SF that predicts how our society could develop in the not too far away future. Especially nowadays, with the advances being made in cloning, I think this book gains even more importance.
A horrific lottery in the past leads to impossible choices in the future.
“Somewhere else, in a room shadowed by age and death, a man readies himself to look into the future for what may be the last time.“
First chapter
It took me five days to read the first chapter. I only read in bed that week and this book put me to sleep so fast that I made no decent progress. I could not get into this for the life of me. City setting, two outsiders and underdogs as main characters. Dystopia, aka apocalyptic fantasy world having risen from a world ravaged by climate change and turned into a desert world. One of the main characters with unusual biological features. Magic that drives its wielders crazy—where have I read that before?
The second chapter then turned into Mad Max and I started to become interested. I liked the part in the Waste (desert). The initial chapters in the city were engaging enough, but the plot didn‘t exactly move fast. A lot of explanations and descriptions of the scenery. Nice, but although I liked what I read, it ultimately bored me. It went downhill from there.
I would have liked more exploration of Khat‘s society and biology, sadly it was only light backstory details. I also liked the idea and workings of the Remnant.
Wells lost me somewhere in the city and never got me back. I heavily skimmed from the middle of the book. It seems that fantasy these days only works for me if it is heavily plot driven and fast moving. I liked the idea of this story, but not the execution.
Cathy's Reading Bonanza 